Irish MP launches anti touting Bill
Competition , Consumers , Live Events / February 2017
Ireland
Italy

CONSUMER / COMPETITION Live events sector   Two months after Italy’s landmark legislation which criminalised ticket touting in Italy, an Irish MP has introduced a similar bill – the Prohibition of Above-Cost Ticket Touting Bill 2016 – for consideration by the Oireachtas in the Republic of Ireland. The ,move comes after the widespread re-sale of tickets for U2’s Joshua Tree tour, and the bill is authored by Noel Rock TD and seeks to outlaw above-face value resale in the Irish republic and would, if passed, “render it unlawful for any unauthorised person to sell or offer for sale tickets for major sporting, musical or theatrical events for a price in excess of the officially designated price [face value]”.   The bill has won the backing of a number of other members of Oireachtas, including Stephen Donnelly TD, who has separately contacted the Irish Competition and Consumer Protection to ask for an “investigation into potentially illegal activity” by ticket touts. Rock said: “I have been inundated with people contacting me regarding examples of ticket touting following the sale of U2 concert tickets ” adding “This will be one of the biggest concerts of the year and consumers are now being asked to pay a…

Little River Band Trade Mark Dispute
Artists , Trade Mark / February 2017
Australia
UK
USA

TRADE MARK Artistes   Australia’s The New Daily has a well written piece on the trials and tribulations of founding (but former) members of Little River Band, one of the country’s first bands to crack America when their track “Help Is On Its Way” entered the US Top Twenty in November 1977. The song, written by lead singer Glenn Shorrock, peaked at number 14 on the Billboard charts and  Between 1977 and 1983 Little River Band had eleven top 20 hits in the United States, leading the way for an Oz invasion that included success for Air Supply, Men At Work, INXS, Savage Garden, Wolfmother, Tame Impala and many more. But for Shorrock and other LRB founding members, The New Daily says “the anniversary of the band’s breakthrough in America is tinged with bitterness.” And why is that? Well, since 1998, all of the original members, including Shorrock, Graeham Goble, Beeb Birtles and Derek Pellicci have been blocked from performing their hits in the US and Australia under the “Little River Band” banner because they no longer control the band’s trademarks. These are owned by Stephen Housedon, a British-born musician and songwriter, who was invited by the founding members to join LRB as lead guitarist in…

Now BMI takes on the US Radio industry
Copyright , Music Publishing / February 2017
USA

COPYRIGHT Music Publishing    Last month, Irving Azoff’s US collection society, Global Music Rights (GMR), launched a legal attack on the Radio Music License Committee (RMLC), which represents over 10,000 commercial radio stations in the United States. The suit followed an action by the RMLC that moved that GMR be enjoined from licensing its catalogue of songs for more than a rate that represented the pro-rata share of its catalogue against those of the other PROs (primarily BMI and ASCAP, and SESAC) while its broader antitrust action is aimed at establishing an appropriate mechanism for determining those rates in the future – and forcing the rights agency to submit to independent arbitration to set the rates broadcasters must pay to play the songs it represents. Azoff formed GMR in 2013 to compete with ASCAP and BMI, which together control approximately 95% of music copyrights. The other independent and privately owned PRO in the USA, SESAC, recently entered into a settlement of with RMLC, following an antitrust action similar to the one filed against GMR.   Against a background of many songwriters and music publishers believing that commercial radio stations in the USA and elsewhere are paying far too little to use their work, GMR’s lawsuit accused the RMLC of…

McCartney files against Sony/ATV to reclaim song copyrights
Copyright , Music Publishing / February 2017
UK
USA

COPYRIGHT Music Publishing   Sir Paul McCartney, the former Beatle, has filed a lawsuit against Sony/ ATV in the federal court in New York.  The lawsuit is aimed at reclaiming the copyright in 267 of the songs that he wrote with John Lennon throughout the 1960s when they were members of the Beatles. The first steps to reclaim the copyrights were taken back in 2008 when McCartney first filed to reclaim the rights in the song ‘Love Me Do’. Since then McCartney has upped the pace; in 2010 he filed for the reversion of copyright in 40 songs in a single claim. As of today, the total number stands at 267 songs this includes hits such as “I Want To Hold Your Hand” and “All You Need Is Love”.  Not surprisingly Sony/ ATV have remained silent as to the transfer of the copyright back to McCartney. The lawsuit is based upon the U.S. Copyright Act of 1976, specifically the reversion element found within. This allows songwriters that have assigned their works to a third party to reclaim the copyrights following a 56 year period for tracks written before 1978. Reclaiming the copyrights is not as easy as simply taking them…